Denzaburo Kato, the third generation leader of the Horii family whose territory encompasses the Yokohama area, has a dramatic encounter at a certain judo hall with a young man who would later shake up Japan's yakuza society. The man's name is Ryuji Inahara, the future president of the Inahara-kai!

Ryuji Inahara changed the name of the Inahara-gumi to the Inahara-kai, and accordingly unified the emblem of the Inahara-kai. Then, in 1961, Inahara-kai opened a new headquarters office in Roppongi, Tokyo. Further incidents and conflicts await Ryuji and the Inahara-kai.

Ryuji Inahara, the heir to the Atami Yamazakiya family, subsequently placed the group under the control of the influential members of the Guretai, known as the "Yokohama Four Heavenly Kings," and the Inahara group quickly expanded its influence from Yokohama to the Tokaido region. The world of yakuza then enters the era of Ryuji Inahara and Masao Tashiro, the third generation member of the Yamaga-gumi.

Remake of The Story of a Man Among Men (1984)

Tuyul reimagines the story of the Indonesian urban mythical spirit. Young couple Daniel and Mia move into Mia's recently deceased mother's old house to save up money before the birth of their first child. After cleaning up one of the rooms, Daniel finds a bottle hidden mysteriously underneath the broken wooden floor. The empty bottle might be home to a creature that could potentially put Daniel, Mia, and their unborn child in danger.

A spirtual successor to Manny Velazquez's underground independent cult horror film Savage High (2015) that is a prequel and a sequel together taking place before and after the events of 'Savage High' exploding now involving a b-movie actress's cousin Kamila Sanchez (played by Angie Velazquez) is kidnapped by a madman who will not stop until he get's his revenge upon the actress Delia Fox (played by Adriana Carradero).

这部电影以印度史诗《摩诃婆罗多》为蓝本进行重新演绎，从第二位般度五子之一毗摩塞纳（Bhimasenan）的视角展开叙述。

An intimate portrait of Marie Leo, a Sto:lo woman who was adopted into a Líl̓wat family as a baby. Marie’s gentle narrative of her remarkable early childhood demonstrates a deep connection to culture, land and family that continues to endure. This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Líl̓wat Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about Líl̓wat culture, histories and knowledge.

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A man contacts the dead.